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Bartók forever

Johann Georg Albrechtsberger (1736-1809): Kurze Regeln des reinsten Satzes

Bartók forever

5:27	Est. Play Time
159	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran (C-Schlüssel)	15	0	5	5	97%
Tenor (C-Schlüssel)	17	0	5	5	97%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran (C-Schlüssel)	15	0	5	5	97%
Tenor (C-Schlüssel)	17	0	5	5	97%
Alt (C-Schlüssel)	14	0	3	5	97%
Bass	14	3	4	5	76%
Klavier	10	8	3	1	5%
	5	2	0	1	4%

Once upon a time

Bartók forever

2:05	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	14	1	3	4	54%
Tuba	19	0	8	5	54%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	14	1	3	4	54%
Tuba	19	0	8	5	54%
Flügelhorn	14	0	2	4	48%
	7	0	1	4	15%
Flöte	18	0	7	4	44%
Horn in F	19	0	7	5	41%
Klarinette in B	10	0	4	5	28%
Pauke	3	0	0	3	19%

Mariä Wiegenlied Op. 76 No. 52

Bartók forever

1:38	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	47	11	6	100%
	23	5	4	4	100%
Voice	12	0	4	6	81%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	47	11	6	100%
	23	5	4	4	100%
Voice	12	0	4	6	81%

Cantio Belgica SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	0	4	6	98%
Orgel	18	0	5	7	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	4	6	98%
Orgel	18	5	7	97%
	14	1	7	93%
Fagott	9	1	6	94%
Violoncello	11	1	6	76%
Klarinette in B	12	3	7	61%

ARIA: So oft ich meine Tobackspfeife BWV 515/515a

Bartók forever

1:53	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

What power art thou? (Purcell, King Arthur Act III aka "Cold Scene")

Bartók forever

2:32	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	29	98	10	2	100%
	15	0	5	2	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	29	98	10	2	100%
	15	0	5	2	100%
Violine I/II	19	0	7	2	100%
	18	0	6	2	100%
Basso Continuo	15	0	5	2	100%
Bratsche	19	0	6	2	100%
Bass	16	0	6	4	69%

FUGA SSWV 129

Bartók forever

10:47	Est. Play Time
153	Measures
	1,247Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		23	0	8	9	87%
		23	0	5	9	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		23	0	8	9	87%
		23	0	5	9	89%

D. Scarlatti - Sonatas C Major K. 356 and K. 357

Bartók forever

28:04	Est. Play Time
315	Measures
	2,133Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	39	28	15	8	98%
	45	69	15	7	98%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	39	28	15	8	98%
	45	69	15	7	98%
1	35	13	13	6	47%
	42	37	13	6	52%
1+2	1	0	0	4	8%

Scalar Rhythm Shifting

Bartók forever

2:28	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		10	0	0	1	100%
		10	0	0	1	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		10	0	0	1	100%
		10	0	0	1	100%

BWV 515/515a So oft ich meine Tobacks-Pfeife

Bartók forever

2:27	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

Cantio Belgica (Wehe Windgen wehe) SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	0	4	6	98%
Orgel	18	0	5	7	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	4	6	98%
Orgel	18	5	7	97%
	14	1	7	93%
Fagott	9	1	6	94%
Violoncello	11	1	6	76%
Klarinette in B	12	3	7	61%

Two Giggs

Bartók forever

2:06	Est. Play Time
47	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal	17	6	3	6	100%
	17	4	3	5	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal	17	6	3	6	100%
	17	4	3	5	97%
	18	16	4	6	84%
	21	16	4	6	84%

Capriccio 6 C Major

Bartók forever

7:02	Est. Play Time
165	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Posaune		32	0	14	9	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Posaune		32	0	14	9	100%

"Im Walde" from "Liederkreis", op. 39, 1840

Bartók forever

1:28	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	34	7	4	100%
	17	12	3	4	100%
Voice	12	0	3	6	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	34	7	4	100%
	17	12	3	4	100%
Voice	12	0	3	6	73%

"Gradus ad Mikrokosmom"

Bartók forever

24:23	Est. Play Time
674	Measures
	1,926Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		42	10	19	9	96%
		38	3	20	9	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		42	10	19	9	96%
		38	3	20	9	96%

Dolcissima mia vita

Bartók forever

1:58	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	14	0	5	7	93%
Sopran	13	0	5	8	91%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	14	5	7	93%
Sopran	13	5	8	91%
Alt	15	6	8	89%
Mezzosopran	15	6	7	89%
Bass	18	6	8	76%

Allegro (Fuga à 4) from Suite No 3 HWV 428

Bartók forever

1:53	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	10	9	97%
		24	1	7	10	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	10	9	97%
		24	1	7	10	93%

April is in my mistress' face

Bartók forever

1:00	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	2	4	100%
Alto	8	0	1	5	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	2	4	100%
Alto	8	1	5	97%
Tenor	8	1	4	92%
Bass	11	2	5	89%

A Journey through Mikrokosmos (II + III)

Bartók forever

6:33	Est. Play Time
197	Measures
	1,957Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	23	0	12	6	48%
Posaune	15	0	8	6	40%
View all 24 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	23	0	12	6	48%
Posaune	15	0	8	6	40%
Trompete in B	14	0	1	5	22%
	10	0	3	5	32%
Flöte	22	0	11	5	32%
Oboe	16	1	5	5	21%
Horn in F	21	0	10	6	20%
Klarinette in B	14	0	6	6	17%
Flügelhorn	14	0	2	4	13%
	7	0	1	4	4%
Altsaxophon	4	0	0	6	6%
	4	0	0	6	8%
	6	0	0	6	11%
	6	0	0	6	11%
	5	0	0	6	11%
	5	0	0	6	10%
	5	0	0	6	11%
	6	0	0	6	13%
Klarinette in A	4	0	0	4	11%
	4	0	1	4	10%
	5	0	1	3	10%
Bassklarinette in A	6	0	1	4	10%
Pauke	3	0	0	3	5%
Piccoloflöte	6	0	0	2	2%

Singe-, Spiel- und Generalbassübung TWV 25:39-85 No 1 - 24 (TIP)

Bartók forever

8:11	Est. Play Time
198	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	80	7	7	99%
	21	0	7	7	99%
Voice	17	0	4	6	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	80	7	7	99%
	21	0	7	7	99%
Voice	17	0	4	6	100%